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Tarek Mansour, co-founder and CEO of Kalshi, built a regulated exchange for trading real-world outcomes and led the effort to legalize U.S. prediction markets, sharpening questions about regulation, media accountability, market-based forecasting, and how financial stakes price uncertainty.
Tara Robertson, a systems librarian and diversity consultant guided by intersectional feminism, uses digitization of On Our Backs to ask why human consent should outrank copyright, framing ethical data use, inclusion, and technology around protecting marginalized people.
Tanner Greer, essayist and researcher behind The Scholar’s Stage, studies Chinese strategic texts, U.S. foreign policy, and American institutional history to explain how states function, why institutions decay, and what drives modern great-power competition.
Tamara Mellon, co-founder of Jimmy Choo and later creator of a direct-to-consumer label, challenged the traditional retail calendar by matching production to customer demand, distilling lessons on equity, industry resistance, and managing direct customer relationships.
Tal Zaks, a physician-scientist and former Moderna Chief Medical Officer, oversaw clinical development of its mRNA platform and COVID-19 vaccine trials before becoming an OrbiMed partner focused on early-stage oncology and programmable medicine startups.
Sydney Sloan, a four-time CMO who has led go-to-market teams at G2, Drata, and Salesloft, argues that marketing leaders should become Chief Market Officers, owning segmentation and buyer behavior while scaling revenue, customer advocacy, and AI-driven discovery.
Strauss Zelnick, CEO of Take-Two Interactive and founder of Zelnick Media Capital, pairs stewardship of entertainment franchises with tight operations, exploring how to manage creative talent, judge new technology, and make physical fitness a foundation for business.
Steven Spielberg is a director and producer who reshaped mainstream cinema through blockbusters grounded in childhood, wonder, and broken families. His enduring method joins visual experimentation, close work with actors, and anxiety as a creative compass.